"In SLAG, Leslie Anne Mcilroy is operating on all cylinders. She packs her lines with hard syncopation — sharp, clear physical sensations stacked one on top of the other to create a tough, honest, often unforgiving landscape, a landscape dominated by the body, the human body. SLAG immerses us in the physical world — frank, sometimes brutal — dealing with both damage and survival, where pleasure and pain struggle against each other. These poems remind me of sexy, sassy blues songs amped with defiance and strength. They linger long after the last note."